Search: Starring Holly Hunter

Like a mutant monster, barreling out of control and straining to contain its own shifting form.

Each of the characters here, presumably because they are rooted in truth, is given room to breathe and shows an ability to be changed by circumstance.

The main problem lies with predictability and a fundamental lack of originality.

Certainly not a film for the masses.

When Pixar are good, they are very very good, and this is.

The best film of 2004 - and the best superhero movie ever!

What makes Jesus' Son uniquely different from the neo-realistic traditions of waste and degradation movies is its ability to avoid cliché, as well as its skewed, end-of-the-line humour.

They say this is based on a couple of Chekhov's shorter prose works. If so, everything was lost in translation.

While both McGregor and Diaz are watchable enough as a likeable loser and a redemptive bitch, there's never any sense that they're 'made for each other'.

Logan's writing fails to match Pacino's restraint, while Green's direction seems - like his central character - to be filled with a longing for more, yet being held back from going there.

It moves at a respectful speed, slower than a teardrop.

Comic invention rides shotgun on a screenplay that runs wild.

Hunter delivers a riveting central performance, her silence speaking for a myriad women whose stories have been overlooked by history.

Too many events in Raising Arizona are so ludicrous and out of place that they contradict the requirements of almost any genre.

Some films need to be watched alone. This is one of them.

Every frame is exquisitely constructed, every breath measured.

This is acting on the bare edge of brilliance.

Within the confines of this technically complex idea, Figgis has created a work of considerable artistic merit.